roads cross: an exhibition at the intersection of contemporary Australian art. Opened first at Flinders University Art Museum in June this year,
roads cross explores a subject first discussed in the late 80s when Indigenous art secured a public platform on a global scale. At that time, curators and historians were interested in the dialogue between the practices of Indigenous and non-Indigenous artists; the way landscape, culture and history interplayed in the work of artists.
And while this exploration often took the form of placing Indigenous and non-Indigenous works side by side to highlight points of contact through visual similarities, cultural exchange is explored in more subtle ways in
roads cross, says CDU Art Collection and Art Gallery curator Anita Angel. “Various exhibitions over the years have looked at what the impact has been of exposure to Aboriginal art in purely stylistic or retinal terms.
roads cross ventures further, examining a range of media, diverse subject matter and styles deployed by artists living and working across the country, whether metropolitan, regional or remote.”
The exhibition takes its name from the work of North Kimberley artist Rover Thomas, whose work
Crossroads appears in the exhibition. The meeting or crossing of roads, represented by an ‘X’, was a recurring motif in Thomas’ work, symbolising his own experiences at the intersection between Indigenous and non-Indigenous culture.
French-born, Darwin-based artist Franck Gohier is a local Darwin artist represented in
roads cross, whose work
Rainstorm over Kununurra (pictured above) is a homage to the people of the Kimberley with whom he worked. The inclusion of Gohier and Thomas together is also significant; as the co-founder of the former NTU Print Workshop (today Northern Editions) in the early 90s, Gohier and Thomas worked closely together.
“Not only does Franck’s
Rainstorm over Kununurra give a north Australian perspective to the show,” says Angel, “but its juxtaposition with Thomas’s
Crossroads reflects a creative cross-fertilisation that occurs in that space where artists – no matter their race, colour or creed – meet and work together,” she says. “Rover’s diagonal cross motif is the ‘X’ that marks the spot. It is a symbolic point of departure for the whole show. It’s also about where artists meet on the same ground and what happens in that space – something that’s had a significant impact on the course of contemporary Australian art.”
When: Artists and Curator Floor Talk Thur 22 Nov | 12-1pm & Sat 24 Nov | 11am-12pm
Where: CDU Gallery, Casuarina Campus
http://www.cdu.edu.au/advancement/artcollection/cduartgallery.html